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Aurora over Scotland (32 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora-Borealis-wsc5053jhp Northern Lights Scotland February winter green display Torphins Grampian Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.57hrsUT and was indicated by the magnetometer readings on AuroraWatch. Viewed over Torphins village to the East the display is on the wane and the red has disappeared leaving patches of green activity. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 6 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc5050jhp Northern Lights Scotland February winter green red display rays Grampian Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.54hrsUT and was indicated by the magnetometer readings on AuroraWatch. Viewed towards West of North with stronger red display developing. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 6 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc5049jhp Aurora Borealis Scotland February winter green red display rays Northwards Deeside Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.52hrsUT and was indicated by the magnetometer readings on AuroraWatch. Viewed over the house it is towards North with stronger red display developing. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 6 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc5044jhp Aurora Borealis Scottish February winter green red display rays Torphins Deeside Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.36hrsUT and was indicated by the magnetometer readings on AuroraWatch. The lights towards the bottom right are those of Torphins so viewed east of north. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 8 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, village, lights, Aurora Borealis, Arc, Rays, Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc5036jhp Aurora Borealis Scottish February winter green red display rays Deeside Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.32hrsUT and was indicated by the magnetometer readings on AuroraWatch. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 8 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora Borealis, Arc, Rays, Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora-Borealis-wsc5032jhp Aurora Borealis Scotland February winter green red display rays Deeside Aberdeenshire taken on the evening of 26th February, 2023 at Crooktree, 25 miles west of Aberdeen, at 21.30hrsUT and was indicated by the magnetometer readings on AuroraWatch. Although cloud was forecast earlier the relatively low grade display happened before the cloud arrived. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm-70mm Tokina SD F3.5 lens at f5.6 aperture at 28mm focal length, ISO setting of 3200 for 5 seconds. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora Borealis, Arc, Rays, Lights, Merry Dancers, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, red, low, grade, colourful, colorful, colours, colors, brief, night, winter, February, 2023, D700, Nikon, DSLR, Tokina SD, 28-70mm zoom, f5.6, 28mm, lens, digital, tripod, time, exposure, photo, photos, photography, photograph, landscape
Aurora Corona au9289jhp Aurora Borealis Scottish winter display Corona red west Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Orion, south, electricity, pole, upright
Aurora Corona au92825jhp Aurora Borealis Scottish Corona zenith red pink west Pleiades Aberdeenshire Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Pleiades, Cassiopeia, Orion, south, electricity, pole
Aurora Corona au92816jhp Aurora Borealis Corona zenith crown red pink south Orion Deeside Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright
Aurora Corona au92815jhp Aurora Borealis British winter Corona red pink south Orion Deeside Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright
Aurora Corona au92813jhp Aurora Borealis Scottish February 1992 Corona red west pink rays Cassiopeia Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright
Aurora Corona au92812jhp Aurora Borealis Scotland winter Corona red west pink rays Cassiopeia Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright
Aurora Corona au92810jhp Aurora Borealis Scotland winter Corona red west trees Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Orion, south, electricity, pole
Low Grade Aurora bnm5740jhp Aurora Borealis Scotland autumn very faint rays poor quality display Deeside Aberdeenshire taken on the morning of 26th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and although I did not see anything defined this one expsoure suggests a faint ray above the central tree. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f5.6 aperture, ISO setting of 6400 for 11 seconds at 23.27hrsUT which was slightly underexposed. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora The Neuk au72830Ejhp Scottish Aurora Borealis Neuk March spring ray cloud hayrake dramatic 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 26nd March, this one at 01.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, clouds, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 26th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora August Summer Display AB98913JHP Aurora Borealis summer August Scotland Deeside nitrogen purple rays Plough gas taken around midnight BST in North East Scotland on the 26th August 1998 just before midnight this Aurora display proves that even with the height of summer light nights displays are visible and the Aurora is not just a winter event that happens on frosty nights. The strong purple colour is indicative of nitrogen gas excitation as well as the lighter light levels of summetime night sky. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, summer, August, landscape, 2004, SLR, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, time-exposure, slide, film

Egypt > Aswan Nubian Museum (1 file)

Aswan Nubian Female Statue EG052945JHP Aswan Egyptian Nubian Museum schist statue of Ankhesneferihre, daughter of Saite King and entitled Divine Wife of Amun dating from 26th Dynasty at Karnak and displayed inside this modern air-conditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, statue, Ankhesneferihre, female, daughter, Saite, King, schist, divine, wife, Amun, inside, interior, ancient, upright

Egypt > Hatshepsut Temple (1 file)

Photos in this gallery are of the West Bank Temple of Hatshepsut at Deir el-Bahri under the cliffs of the Theban hill
Asasif Necropolis EG020144jhp Hatshepsut Temple Luxor Asasif Necropolis Montuemhet pylon mudbrick tomb Khokha hill in the background to these impressive mudbrick pylons round the entrances to 25th & 26th dynasty tombs of officials and dignatories on the Asasif plain adjacent to the visitors centre at Hatshepsut Temple entrance. This magnificent mortuary temple to the Egyptian Queen is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings. Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Khokha, hill, Asasif, necropolis, dignatories, tombs, mudbrick, pylons, landscape, Hatshepsut, mortuary, Temple, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, coachpark, visitors, centre

Egypt > Karnak Temple (5 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple Sandstorm EG0214013jhp Karnak Egypt Chapel gate sandstorm dramatic light hypostyle palms hazy which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, 26th, Dynasty, landscape, history, archaeology, Egyptology, sandstone, gate, carvings, sandstorm, windy, hazy, palm, trees, sand, sandy, hypostyle, hall
Karnak Saite Chapel EG0214017jhp Karnak Egypt Chapel Ankhnesneferibre gate Psamtik 111 hedjet crown Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, crown, white, upper, hedjet, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214016jhp Karnak Egypt Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphics which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214015jhp Karnak Egyptian Chapel Ankhnesneferibre cobra Wadjet lion face hierogylphs which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. Interesting in this photograph are the lion faced Wadjet Cobras which are very much a Delta Goddess diety. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector
Karnak Saite Chapel EG0214014jhp Karnak Egypt Chapel Ankhnesneferibre gate Saite Papyrus column Amun which is located inside the central enclosure wall of the Karnak complex at Luxor on the East Bank of the River Nile. It is a relatively ruined small temple lying near the exterior north wall of the hypostyle hall and the path to the Temple of Ptah and gate to Montu Temple in the North Enclosure. The area is a cluster of ruins and blocks in storage and is very seldom frequented so always quiet in the crowded times. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast so apologies for the quality of these few images; one day I hope to return and get them in better light. The chapel is dedicated to the Princess Ankhnesneferibre, daughter of Psamtik 11 and his Queen Takhut and she became successor to Nitocris the Divine Adoratice and later God’s Wife of Amun, High Priest and effectively ruled Thebes for nearly 60 years during the later Saite Period of Rule over Egypt; started in Dynasty 24 and centred on City of Sais in Northern delta region. Turbulent times however and she was in effect the last to hold this position for around the time of her death Psamtik 111, after a very short reign, was defeated by the Persian’s and the 26th Dynasty came to an end in 525BC. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, central, enclosure, chapel, Ankhnesneferibre, princess, Saite, Sais, Amun, Priest, Adoratice, God, wife, ruler, Psamtik, 11, 111, Psammetichus, Psammeticus, Nitocris, Takhut, 26th, Dynasty, upright, history, archaeology, Egyptology, decorated, hieroglyphics, sandstone, papyrus, column, single, closed, bud, carvings, cobra, iaret, naja haje, rearing, hood, lion, face, Wadget, Wadjet, leonine, goddess, Nefertem, Eyes, Re, Ra, protector

Egypt > Saqqara & Memphis (10 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Persian Shaft eg951159jhp Egypt Saqqara Persian shaft tomb Padiaset colourful painted hieroglyphics texts stars pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright
Saqqara Persian Shaft eg951158jhp Egypt Saqqara Persian shaft burial tomb Psamtek wall curved hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Amhose 11, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951157jhp Egypt Saqqarah Persian Psamtik shaft tomb sarcophagus anthropoid carved stone base one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, Ahmose, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, anthropoid, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951156jhp Egypt Saqqara Persian period shaft tomb Paydees arched ceiling hieroglyphics stars coloured texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951155jhp Egypt Saqqara Pediese painted ceiling stars hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951154jhp Egypt Saqqarah Persian shaft tomb Psamtik hieroglyphics texts carvings Book Dead funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951153jhp Egyptian Saqqara Psamtek tomb wall carvings hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951152jhp Egypt Saqqara Persian period shaft en wall tomb Psametik hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951151jhp Egypt Saqqara Persian shaft tomb Psamtik hieroglyphics buriel texts Book Dead one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psametik, chief, physician, Zannehib, Djenhebu, admiral, Pediese, Paydees, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg9511510jhp Egyptian Saqqara Persian period shaft tomb Pediese end wall passageway hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright

Scotland > Clouds, Sunsets, Dawns and Weather (5 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Deeside-Summer-Clouds-wsc6451jhp Clouds cumulus east Glassel altocumulus sunlit rural hills Scottish summer Deeside Aberdeenshire sky taken from Crooktree between Kincardine O’Neil and Torphins in North East Scotland showing the scale, shapes and beauty of these ever changing weather phenomena. This was taken at 11.25hrs BST on 26th August 2023 from the North side of Ord Fundlie Hill using a Nikon D700 FX body with 16-35mm at 35mm focal length, aperture of f11, 200ISO and shutter speed of 1/1600 sec. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ord Fundlie, hill, Kincardine O’Neil, Stranduff, Crooktree, Torphins, Learney, summer, landscape, clouds, grey, shapes, patterns, whirls, dramatic, spectacular, weather, phenomena, cirrostratus, cumulus, small, stratocumulus, altocumulus, delicate, landscape, clouds, tree, tops, leaves, countryside, nature, colourful, colorful, coloured, colored, morning, sky, blue, sunlit, scudding, edged, white, beautiful, scale, size, height, 2023, August, DSLR, Nikon, D700, FX, AF-S ED 16-35mm zoom lens, 25mm focal length, wide, digital, photo, panorama, photograph
Deeside-Summer-Clouds-wsc6450jhp Clouds cumulus north altocumulus rural fields sunlit Scotland summer Deeside Aberdeenshire sky taken from Crooktree between Kincardine O’Neil and Torphins in North East Scotland showing the scale, shapes and beauty of these ever changing weather phenomena. This was taken at 11.25hrs BST on 26th August 2023 from the North side of Ord Fundlie Hill using a Nikon D700 FX body with 16-35mm at 16mm focal length, aperture of f11, 200ISO and shutter speed of 1/1000 sec. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ord Fundlie, hill, Kincardine O’Neil, Stranduff, Crooktree, Torphins, Learney, summer, landscape, clouds, grey, shapes, patterns, whirls, dramatic, spectacular, weather, phenomena, cirrostratus, cumulus, small, stratocumulus, altocumulus, delicate, landscape, clouds, tree, tops, leaves, countryside, nature, colourful, colorful, coloured, colored, morning, sky, blue, sunlit, scudding, edged, white, beautiful, scale, size, height, 2023, August, DSLR, Nikon, D700, FX, AF-S ED 16-35mm zoom lens, 16mm focal length, wide, digital, photo, panorama, photograph
Cirrus-Over-Aberdeenshire-wsc3088jhp Cirrus cumulus clouds Scottish Deeside patterns twisted Aberdeenshire white blue sky taken from Crooktree between Kincardine O’Neil and Torphins in North East Scotland showing the scale, shapes and beauty of these ever changing weather phenomena with this high level cirrus. This was taken at 12.59hrs UT on 26th July 2022 from the North side of Ord Fundlie Hill, looking eastwards. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ord Fundlie, Kincardine O’Neil, Stranduff, Crooktree, Torphins, summer, landscape, clouds, shapes, patterns, whirls, weather, phenomena, cirrus, cirrostratus, cumulus, altocumulus, filaments, hooks, feathery, fronds, delicate, landscape, clouds, tree, boulder, tops, leaves, countryside, nature, colourful, colorful, coloured, colored, pink, evening, sky, sunset, white, beautiful, scale, size, height, 2022, July, DSLR, Nikon, D700, FX, 16-35mm zoom lens, 16mm focal length, wide, digital, photo, photograph, upright, portrait
Partial Eclipse TO3226758JHP Partial Eclipse Sun Moon Photograph Clouds Half Curve Sharp Crescent Scotland on the 26th March, 2006 over Aberdeenshire in North East Scotland near Kincardine ONeil on Royal Deeside. Some cloud problem but luckily not at the crucial moment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, landscape, eclipse, partial, sun, moon, clouds, spring, 2006, sun, eerie
Partial Eclipse TO3226749JHP Partial Eclipse Sun Moon Silhouette Crescent Cutout Contrast Scotland Deeside on the 26th March, 2006 over Aberdeenshire in North East Scotland near Kincardine ONeil on Royal Deeside. Some cloud problem but luckily not at the crucial moment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, upright, eclipse, partial, sun, moon, clouds, spring, 2006, sun, eerie

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